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after the fight over the 2020 election, what lessons have been learned? someone s going to get hurt, someone s going to get shot, someone s going to get killed. election workers facing death threats. we ve seen a dangerous increase in threats against public servants. in 2024, the bad actors will be more coordinated, more strategic. we support every voter right free and accurate. this morning a by part can conversation with the secretaries of state in four key battleground state. plus, the threat of disinformation, artificial intelligence and the increase of heightened risk from foreign actors. i ll speak with anne applebaum and rene de-res ta. and in a year when we ll hold elections, how will it work? joining us, peter banker, amna nawaz, evelyn far ka, and ben ginsberg. welcome to sunday and a special edition of meet the press. announcer: from nbc news in washington, the longest running show in television history, this is a special edition of me ....
i m sure you would love to believe that that film is like a museum piece. like it s no longer relevant. but does it feel that way to you? no. i would love to. ..to think the opposite. i would love to think that each of my movies are relevant forever and will be remembered forever. but i guess what i meant was, wouldn t it be great if some of the issues. were not. yes. ..you had exposed were no longer issues? the problem is that i make political movies. and i did a movie like ten years ago, 15 years ago that s back on the news today because we have a revolt in new caledonia. that s a film called rebellion. rebellion, yeah. so, you know, that s, when you do political movies, either you re totally wrong and you re not relevant or you re right and nobody s listening. so, so that s, erm, that s. that was the case with rebellion, that was the case with la haine. but here we sit talking in paris. you live in paris. does it feel like paris still has a profound problem with, for ....
welcome to hardtalk. thank you for having me. it is three decades since you made la haine hate. i m sure you would love to believe that that film is like a museum piece. like its no longer relevant. but does it feel that way to you? no. i would love to. ..to think the opposite. i would love to think that each of my movies are relevant forever and will be remembered forever. but i guess what i meant was, wouldn t it be great if some of the issues. were not. yes. ..you had exposed were no longer issues? the problem is that i make political movies. and i did a movie like ten years ago, 15 years ago that s back on the news today because we have a revolt in new caledonia. that s a film called rebellion. rebellion, yeah. so, you know, that s, when you do political movies, either you re totally wrong and you re not relevant or you re right and nobody s listening. so, so that s, erm, that s. that was the case with rebellion, that was the case with la haine. but here we sit ta ....
This week's Friday Panel discuss the arrival of asylum seekers in Dromahair, Government migration policies, lack of balanced regional development, ....