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"Where's the noise? Where is the ugliness that we find compelling in beauty?" The Dandy Warhols' Peter Holmström and Courtney Taylor-Taylor on their struggles with the wrong guitars and boring amps, and how they collaborated with Slash - Vimarsana News

"Where's the noise? Where is the ugliness that we find compelling in beauty?" The Dandy Warhols' Peter Holmström and Courtney Taylor-Taylor on their struggles with the wrong guitars and boring amps, and how they collaborated with Slash

With influences ranging from Pantera and Black Sabbath to Bauhaus, an ever-changing pedal chain, and a mission statement that’s never changed, the Dandy Warhols are still – 30 years into their career

"I had a huge pedalboard at one point. You have 15 pedals, and your tone sucks... Joe Walsh and Hendrix, they didn't use a bunch of pedals": Schooled in jazz and classical guitar, with a punk spirit, Mary Timony's skilled fretwork is as unique as ever - Vimarsana News

"I had a huge pedalboard at one point. You have 15 pedals, and your tone sucks... Joe Walsh and Hendrix, they didn't use a bunch of pedals": Schooled in jazz and classical guitar, with a punk spirit, Mary Timony's skilled fretwork is as unique as ever

Back with her first solo album in over a decade and a half, Timony chats with GP about her frustrations with the punk genre, losing (and subsequently regaining) her touch on the guitar, and recording

Review: In Clearwater, Elvis Costello's aim to play obscurities remains true - Vimarsana News

Review: In Clearwater, Elvis Costello's aim to play obscurities remains true

Sometimes, Florida’s reputation of having notoriously pathetic winters isn’t the worst thing, because Thursday night, 69-year-old Elvis Costello came out to his first Tampa Bay concert in nearly half a decade rocking a plaid kilt with a matching tam hat, white knee-high socks, and a black button-down.

Why the '90s was a watershed era for guitar gear - Vimarsana News

Why the '90s was a watershed era for guitar gear

The invention of the seven-string, emergence of digital modeling and rise of the boutique pedal industry all took place during the ‘90s, and provided the blueprint for the sound of guitar music to com

Hammock's Marc Byrd and Andrew Thompson: "People think they can do ambient music if they just have the right pedalboard, and they can't. It's an art form in itself" - Vimarsana News

Hammock's Marc Byrd and Andrew Thompson: "People think they can do ambient music if they just have the right pedalboard, and they can't. It's an art form in itself"

The two ambient aficionados pick apart the careful, soundscape-sculpting six-string approach that helped them produce their most ambitious album to date, Love in the Void