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Review: Idina Menzel inhabits a magical world in La Jolla Playhouse's moving 'Redwood' - Vimarsana News

Review: Idina Menzel inhabits a magical world in La Jolla Playhouse's moving 'Redwood'

The world premiere musical co-conceived by Menzel and playwright-director Tina Landau, with a score by Kate Diaz, is a triumph of groundbreaking media design.

Kero Kero Bonito on magic pop, Bugsnax, and the limits of poptimism - Vimarsana News

Kero Kero Bonito on magic pop, Bugsnax, and the limits of poptimism

In the latest episode of The FADER Interview, Kero Kero Bonito discuss their wildly ambitious new EP, Civilisation II.

Five things that inspired Kero Kero Bonito's new EP Civilisation II - Vimarsana News

Five things that inspired Kero Kero Bonito's new EP Civilisation II

The EP was loosely inspired by American trumpeter Jon Hassell’s concept of ‘fourth world’ music, which brings together primitive and modern sounds, to bring forth “fantastical fictional cultures”, or imagined worlds that feel real. The three tracks are divided into past, present, and future. Opening track “The Princess and the Clock” is a peppy, 8-bit fairytale about a kidnapped protagonist who’s trapped in a castle, while “21/04/20” recounts a day in Bromley during the first lockdown: needing to go for a walk, seeing ambulances pass, scheduling in a call with a friend. De...

Kero Kero Bonito: Civilisation II EP - Vimarsana News

Kero Kero Bonito: Civilisation II EP

Bandcamp / Buy Though they came up in the same scene that produced A.G. Cook, GFOTY, and Hannah Diamond, Kero Kero Bonito’s hyperpop always had a more personal touch. On 2013’s Intro Bonito and 2016’s Bonito Generation, the London trio synthesised a nostalgic and unruly palette of influences ranging from J-pop to post-punk, creating a modern sound that paid tribute to the trio’s hometowns—the London suburbs for producers Gus Lobban and Jamie Bulled, and Otaru, Japan, for vocalist Sarah Midori Perry. This implicit fondness for cycles of reference—for the w...