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Yayoi Kusama shows usually draw millions of visitors, but will pandemic-related restrictions limit appeal and numbers?

Yayoi Kusama shows usually draw millions of visitors, but will pandemic-related restrictions limit appeal and numbers?
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There’s a classic scene in “The Graduate” where Dustin Hoffman’s character, fresh out of college, gets pulled aside at a graduation party by a well-meaning friend of his parents and told: “I just want to say one word to you. Just one word . plastics.”
If that scene were written today with sustainability in mind, the word might be “batteries.” Or maybe “hydrogen.”
But it might also be two words: “energy efficiency.” ....

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Our picks of the must-see shows to see in New York in February


Malia Jensen: Nearer Nature
Until 3 April at Cristin Tierney, 219 Bowery Floor #2, Manhattan
This show represents the culmination of a multi-year project for the artist, whose work often probes into the gray area between the human world and the natural one, pointing to the poetic symmetry between the two. The work began in early 2019, when Jensen carved sculptures from livestock salt licks and installed them in the wilderness throughout Oregon state. The salt licks were carved into a number of forms, some, such as a plate of donuts, recall the domestic and mundane, while others shaped as a hand or a breast invoke tender, life-nurturing figures. When placed in this context, one salt lick carved in the shape of Brancusi’s ....

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Our picks of the must-see shows to see in New York in January


Ed Ruscha: Paintings
Until 23 January at Gagosian, 541 West 24th Street, Manhattan
The gallery is debuting eight new paintings by Ed Ruscha, one of America’s most significant living painters. Six of the canvases are two feet high and eight feet long, and each expands upon elements of the artist s lexicon that have, over the nearly six decades and counting of his career, become cornerstones of the zeitgeist. There are three iconographic landmarks explored in this show: flags, tires, and mountains. They are on occasion remixed, such as in the painting
Hardscrabble (2020) which features a mountainscape at sunset, above which a massive tire tread floats in the sky. This single painting almost serves as a map to the cardinal points of Ruscha’s mastery: the sunset becomes a vehicle in which the seasoned painter can show off his trademark gradients, which he has revelled since at least the 1970s; the mountainscape allows him to display a technical prowess that is, though ....

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