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What to See in N.Y.C. Galleries in March

What to See in N.Y.C. Galleries in March
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Mary Lucier: Leaving Earth

Leaving Earth, Mary Lucier’s immersive video installation at Cristin Tierney, tests the limits of attention with its Whitmanesque expanse. Nine screens, set on individual poles around the room, like a grove of monitors, feature unsynchronized video loops, some with sounds.

New-york , United-states , Sullivan-county , Mary-lucier , Earl-howard , Adam-reich , Allen-grossman , John-cage , Peter-campus , Cristin-tierney , Johnf-peto , William-harnett

The Top 75 Art Professionals

ARTnews compiles a list of the 75 top art professionals in 12 niche categories, from advisers and lawyers to shipping and storage.

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Joe Fig: Contemplating Compositions

Why appropriation? Joe Fig extends his exploration of the practice into and out of the realm of novelty. Here, he delves into the experience of the landscape of an artwork—its dimensions, positions, neighbors, and responses to light and to us, its inhabitants.

New-york , United-states , Viewcristin-tierney , Mike-bidlo , Alex-katz , Joan-mitchell , Elaine-sturtevant , Peter-saul , Rafael-lozano-hemmer , Cristin-tierney , Wangechi-mutu , Richard-diebenkorn

Artdaily - The First Art Newspaper on the Net

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La-finca , Camagü , Cuba , Illinois-state-museum , Illinois , United-states , White-house , District-of-columbia , Vienna , Wien , Austria , New-york

How Long Must We Sing This Song?

Dread Scott channels Nina Simone through works that sing of pain and endurance.

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Dread Scott: Goddam

“The name of this tune is Mississippi Goddam,” Nina Simone announced during her 1964 concert at Carnegie Hall. “And I mean every word of it.” A response to the assassination of Medgar Evers and the 16th Street Baptist Church bombing in which four little girls were killed, events which had occurred the previous year, Simone’s expression of grief, frustration, and anger became an anthem of the ongoing Civil Rights Movement; its debut marked a sharp turn towards the political in the singer’s career. Nearly sixty years later, artist Dread Scott links Simone’s songs of protest to the present-day, creating four large screen-prints on canvas in which contemporary images acknowledge the continuation of hatred and violence directed towards Black Americans, women, and LGBTQ+ communities.


Carnegie-hall , New-york , United-states , Mississippi , White-house , District-of-columbia , Georgia , Texas , Minnesota , Florida , Americans , Nina-simone

peter campus: meditations

At Cristin Tierney, two of peter campus’s darkly introspective Polaroid portraits from the 1970s, installed in the office, remind us of the brooding romanticism of his early black-and-white landscape photographs. In an interview, campus calls landscape “a face inside out,” emphasizing his emotional projection into the scenes he records.

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peter campus: meditations

Unlike films, these works do not have any narrative, peak, or climax. Instead, they force viewers to take notice of the small, minute shifts of the quotidian life in these untouched natural zones and ecosystems.

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