“The name of this tune is Mississippi Goddam,” Nina Simone announced during her 1964 concert at Carnegie Hall. “And I mean every word of it.” A response to the assassination of Medgar Evers and the 16th Street Baptist Church bombing in which four little girls were killed, events which had occurred the previous year, Simone’s expression of grief, frustration, and anger became an anthem of the ongoing Civil Rights Movement; its debut marked a sharp turn towards the political in the singer’s career. Nearly sixty years later, artist Dread Scott links Simone’s songs of protest to the present-day, creating four large screen-prints on canvas in which contemporary images acknowledge the continuation of hatred and violence directed towards Black Americans, women, and LGBTQ+ communities.