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Leaving Earth, Mary Lucier’s immersive video installation at Cristin Tierney, tests the limits of attention with its Whitmanesque expanse. Nine screens, set on individual poles around the room, like a grove of monitors, feature unsynchronized video loops, some with sounds.
Sarah Palmer melds a formal device of trompe l’oeil with her content, which largely relates to the objectification of women and how women choose to present or stage themselves.
Mitsuko Brooks, Letters Mingle Souls, Suicide is not a common subject for an art exhibit; only in recent years has the topic even entered public...
She invites the viewer to contemplate all the ways we mark and live in time, and how much of what we record and keep we will eventually dispose of.
On June 1, the a href= http://www.georgiamuseum.org target= _blank Georgia Museum of Art /a at the University of Georgia began a new partnership w