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Thematically and stylistically, Storm de Hirsch's 'Goodbye in the Mirror' is a bizarre amalgam of films by Varda, Cassavetes, Akerman, Wishman, and a dozen other directors working across mainstream, independent, and avant-garde contexts.
Home life: a revelatory program of evocative films by Robert Beavers daisy-chains memories, dreams, and desires across continents and decades
At their Wilmersdorf studio, experimental film veterans Robert Beavers and Ute Aurand painstakingly restore the old negatives of Gregory Markopoulos' epic film.
Following Main Slate, Spotlight, and Currents, the 60th New York Film Festival have now unveiled its final film-focused section with Revivals. Featuring brand
Aesthetics and politics: a new reader from The Visible Press offers a bracing introduction to Afterimage's ever-curious, ever-relevant quest for the contours of a radical cinema