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Underexamined, women-led pattern and decoration movement explored in expansive exhibition Installation image of With Pleasure: Pattern and Decoration in American Art 1972-1985, June 26 – November 28, 2021. Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-onHudson, NY. Photo: Olympia Shannon. ANNANDALE-ON-HUDSON, NY .-The Hessel Museum of Art is presenting With Pleasure: Pattern and Decoration in American Art 1972–1985, the first full-scale scholarly North American survey of the groundbreaking yet understudied Pattern and Decoration art movement, originally on vie...

Colby Chamberlain on the art of Dave McKenzie Bobblehead from Dave McKenzie’s While Supplies Last, 2003, performance, poly-resin figures, 7 × 2 1⁄2 × 2 1⁄2". “I KNOW YOU ARE DAVE, but who is Dave?” Sixteen years ago, in these pages, the artist Glenn Ligon recounted how a stranger once posed this question to Dave McKenzie’s face. Or rather, she posed it to a papier-mâché approximation of his face, which McKenzie wore while he handed out bobblehead figurines of himself during an opening at SculptureCenter in New York. Ligon floated a fe...

Email is invalid Left: Barbara Zucker, Blushing Bride, 1977. Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York. Photo by Chris Kendall. Right: Betty Woodman, Zante, 1985. Courtesy of Charles Woodman/Estate of Betty Woodman, David Kordansky Gallery, Los Angeles, and Salon 94, New York. Photo by Thomas Muller. With Pleasure: Pattern and Decoration in American Art 1972–1985, the first full-scale scholarly North American survey of the groundbreaking yet understudied Pattern and Decoration art movement, origin...

Recently, English shared with me his reflections on our current moment, how art has changed over the past several decades, and why generalizations of Black art are so problematic. You are very keen on the problems of generalization within the art world with regards to how African American art is taught, critiqued, and discussed. What is your biggest problem with these generalizations? How, in your opinion, can historians work to remove and/or reduce their use of generalizing? My issue with generalization is that it feels an irresponsible way to respond to art’s diversity and specificity. If...

Wet Paint: Artist Ryder Ripps and Azealia Banks Go Public as a Couple, Artist Accused of Stealing From His Mentor, & More Art-World Gossip What Chelsea gallery poached a director from an uptown rival? Which artist shot Bella Hadid for the new Givenchy line? Read on for answers. February 12, 2021 Ryder Ripps performs at Webster Hall. (Photo by Nicky Digital/Corbis via Getty Images) // Azealia Banks performs at Electric Brixton. (Photo by Burak Cingi/Redferns) Every week, Artnet News brings you Wet Paint, a gossip column of original scoops reported and written by Nate Freeman. If you have a tip...