Raphaela Vogel: In The Expanded Penalty Box: Did You Happen to See the Most Beautiful Fox?
Peeping out of rounded rectangular boxes, rapidly shuttering cameras capture gallery goers at numerous angles, emphasizing those viewers who foray into the inverted panopticon’s proscenium to perform for the machine. The photos are then projected onto the wall in rapid succession, the gestalt being a structural film befitting a mass surveillance age.
Source: brooklynrail.org
