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More Than Half of Visitors to teamLab Planets in Toyosu, Tokyo Now Come From Overseas. Starting in March, Artworks Featuring Cherry Blossoms That Bloom Across the Space Will Be on View for the Spring Season Only

More Than Half of Visitors to teamLab Planets in Toyosu, Tokyo Now Come From Overseas. Starting in March, Artworks Featuring Cherry Blossoms That Bloom Across the Space Will Be on View for the Spring Season Only
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Aesthetica Magazine - Borderless Imagination

Artists. Programmers. Architects. Engineers. teamLab are the globally acclaimed collective behind today's most popular immersive installations.

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teamLab Planets in Tokyo unveils two new immersive living garden artworks on July 2


teamLab Planets in Tokyo unveils two new immersive living garden artworks on July 2
12 hours ago
teamLab, 2015, Interactive Kinetic Installation, Endless, Sound: Hideaki Takahashi. ANTARA/Business Wire
A museum where visitors walk through water becomes even more immersive with the addition of an interactive garden of 13,000 live orchids blooming in mid-air, and an ever-changing moss garden with glowing ovoids resonating with light and sound.
Tokyo--(Antara/Business Wire)-
teamLab Planets TOKYO in Toyosu, Tokyo is celebrating its third anniversary with an expansion: on July 2, the museum opens a new Garden Area with two interactive garden artworks.
Two gardens will open to the public: a garden where visitors can become one with the flowers, immersing themselves in over 13,000 live orchids that bloom in mid-air; and a moss garden filled with ovoids that shine and resonate when pushed by people or blown by the wind.

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Why the Pandemic Will Actually Strengthen the Art Experience Economy—and the Old-Fashioned Gallery Business, Too


teamLab,
Massless Clouds Between Sculpture and Life (2020). Installation view of "Every Wall is a Door" Superblue Miami, 2021. Sound: teamLab. © teamLab, courtesy Pace Gallery.
A version of this story first appeared in the spring 2021 Artnet Intelligence Report, which you can download in full for free here.
 
The launch of Superblue could not have come at a worse time.
It was August 2020, in the heat of the summer lockdown, when the company announced its formation to a largely skeptical art world. It would pursue, it said, a twin mandate: to produce show-stopping immersive artworks for mass audiences of ticket buyers at a 50,000-square-foot “experiential art center” in Miami and take on experiential commissions for private and public clients at an ever-evolving array of off-site locations around the world. Both goals would be achieved in collaboration with A-list artists bridging the increasingly hazy borders between creative disciplines.

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