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The Closure of Arclight Cinemas Has L.A. Movie Lovers in Mourning - and Asking, Can It Be Saved?

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The Closure of Arclight Cinemas Has L.A. Movie Lovers in Mourning - and Asking, Can It Be Saved?
It's difficult to overstate how central the Arclight had become to L.A. film culture.
Adam B. Vary, provided by
April 12, 2021
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The news that the Arclight Cinemasare closing permanently — part of the larger closure that includes Pacific Theaters in the wake of the COVID-19 pandemic — hit the film industry, and the greater Los Angeles community, like a shockwave.
Filmmaker John August was one of the first to tweet about the news: “Oh no. ArcLight Hollywood is my favorite place to see movies.”

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Neon's Tom Quinn or (The Unexpected and Relentless Pursuit to Get a Documentary in Best Picture)

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Neon's Tom Quinn or (The Unexpected and Relentless Pursuit to Get a Documentary in Best Picture)
Neon's Tom Quinn or (The Unexpected and Relentless Pursuit to Get a Documentary in Best Picture)
It's not just about best documentary or international feature for Tom Quinn - he's looking for them to be embraced in a major way by the Academy Awards.
Clayton Davis, provided by

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'In the Earth' Review: Treat Yourself to a Shot of COVID-Inspired Wheatley Weirdness

'In the Earth' Review: Treat Yourself to a Shot of COVID-Inspired Wheatley Weirdness
'In the Earth' Review: Treat Yourself to a Shot of COVID-Inspired Wheatley Weirdness
It's somehow fitting that a horror helmer whose career kicked off with viral videos has gone and made a pandemic movie that infects the id.
Peter Debruge, provided by
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Running time: Running time: 100 MIN.
Courtesy of Sundance Institute
Last year, Ben Wheatley released a remake of Alfred Hitchcock’s “Rebecca” in which his heroine suffers a trippy newlywed’s nightmare. She’s married to Armie Hammer, following him through the halls of Manderley, and the hallway carpet turns to crawling ivy, grabbing her ankles and pulling her down toward hell. This hallucination stands out in the otherwise traditional film, but it’s one of the few moments in “Rebecca” where we sense the filmmaker’s personality coming through. That freaky interlude might as well have been a trailer for Wheatley’s next project, “In the Earth,” a relatively grungy occult forest spirit chiller that culminates in the maxi version of that montage.

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