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That s pretty [ bleep ] up. then play him that way. give me your black slaver. so what s the value, jason, of a class like this about quinten tarantino in academia. why are we studying tarantino at harvard? to me, the idea, right, is that you i want to get the most people talking about how we talk about race. in society. for all the controversy, he generates, he s generating discussion. and i think that that s what great art is going to do. so even if you go to the film and you come away with this sense that this is doing more negative work than good, it s still doing good work in that it s getting people to start talking about how we can talk about race, how we can talk about slavery. sugar? yes, sir. dango isn t a slave. django is a free man, you understand? you can t treat him like any of the other [ bleep ] around here, because he ain t like any of the other [ bleep ] around here. you got it? you want us to treat him like ....
the h. is silent. that s christophe walsh from snl s brilliant spoof of django unchained. nominated for oscars, this sunday. two of django s five oscar nods are there. completely over the top. he s undeniably a serious film maker dealing with issues of race and social justice and one who loves to challenge our boundari boundaries. i wasn t surprised to find that at harvard, jason silversteen is leading a course entitled race, racism and quintenter en teeno. i knew i had to check it out. you want me to play a black slave? a black slaver is lord in the head house [ bleep ]. ....