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Our summer roundup features Reich’s “Conversations,” Dan Charnas’s “Dilla Time” and Spector’s “Be My Baby.”

Even during his lifetime, there was something unexplainable about J Dilla, the Detroit-born hip-hop producer and emcee. He was an open secret, an unde

The Detroit musician wasn’t known to give many interviews, and his influence has grown exponentially since his 2006 death. “Dilla Time” by Dan Charnas explores what drove him.

The Villain Never Dies: Jason Jägel Honors MF Doom March 02, 2021 | in Magazine We think you'll like When MF Doom released Operation: Doomsday in 1999 (and the split EP with MF Grimm on Brick Records), the record’s complex significance blew my mind. It demanded my scrutiny. I came to think of the MF Doom character and Operation: Doomsday as an alchemical equation that solved the twin tragedies of losing his brother and closest collaborator, as well as having their record, Black Bastards, killed by Elektra Records. Surely KMD would have received big fame if they hadn’t caught the stray ...

ByLwansta: Walking in the shadow of DOOM 8 Jan 2021 In late October, ByLwansta put pencil to paper after a long time, and the first image he drew was inspired by his favourite cover art. (Image courtesy of ByLwansta) Mail and Guardian about DOOM and his favourite cover art.  It seems to me that DOOM was able to control his own story by amassing the skills related to what he wanted to achieve. For example, he played a huge role in terms of his own cover art. What are the tangible ways, and the intangible ones, that he has influenced you as an artist?