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Morocco and southern Spain were favourite destinations when I was a student in Manchester in the 1970s. We could get a cheap package tour flight to Alicante, ditch the package holiday, jump on a bus to Malaga and then onto Algeciras to take a ferry to Tangiers. We left behind the (more often than not) rainy skies of Manchester for the piercing azure of Morocco
Thomas Mapfumo, the Zimbabwean singer, bandleader and songwriter, is one of Africa
Last month, one of the great explorers and producers of American vernacular music, Chris Strachwitz, passed away. He was 91 years old. He was the founder and co-owner (with Tom Diamant) of Arhoolie Records which since its first release in 1960, Texas Sharecropper And Songster by Texan bluesman Mance Lipscomb, has put out an astonishing 44,000 records.
Cambodia, like many Southeast Asian countries, enjoyed a golden era of popular music during the 1950s and 1960s, when Phnom Penh, known as the "Pearl of the Orient" became an important cultural centre, a breading ground for the meeting of Western rock and pop and Cambodian music. Author Dee Peyok in her fascinating new book Away From Beloved Lover: A Musical Journey Through Cambodia (Granta, UK, 2023) notes that "the music of East and West merged across Southeast Asia to the most fascinating mélange of instruments, attitudes and expressionism".
The Malian singer/songwriter and guitarist Fatoumata Diawara emerged in 2011 with the EP Kanou and quickly after came her debut and breakthrough release Fatou (Nonesuch, World Circuit). Fatou, which features Diawara's self-penned songs and electric guitar playing (which she claims was a first for a Malian woman) catapulted her to international fame. She has a unique sound, created out of her Southern Malian wassollou roots and Western music she learned growing up in Paris.