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Frieze Los Angeles 2023 - What The Dealers Had To Say

Frieze Los Angeles has returned for the Largest edition of the Fair Yet, With Strong Sales, International Attendance....

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In Pictures: Frieze Projects – Against the Edge

In Pictures: Frieze Projects – Against the Edge
frieze.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from frieze.com Daily Mail and Mail on Sunday newspapers.

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Frieze Projects Los Angeles 2023

Frieze Projects Los Angeles 2023
frieze.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from frieze.com Daily Mail and Mail on Sunday newspapers.

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Commentary: Thomas Adès' 'Dante': The L.A. Phil, Gen X and the divine

Thomas Adès curated the L.A. Phil's Gen X festival, a celebration of visionaries from that generation. A highlight: his orchestral "Dante."

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Hollywood Bowl 2021 reopening: Joy, tears and Billie Eilish

Tears of joy and plenty of masked smiles could be found at the Hollywood Bowl as it gave its first concert after 18 months of pandemic closures.

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Joy, tears and Billie Eilish: Essential workers revel in Hollywood Bowl return


LOS ANGELES – It had been a long time since Allen Cortez and his wife had a date night. As a Kaiser Permanente ICU nurse in a COVID-19 ward, Cortez spent the last 13 months on the frontlines of the pandemic, taking one tragic day at a time as his team worked to understand the novel coronavirus and how to deal with its baffling array of symptoms.
"People say it takes a certain kind of person to be dealing with that type of stress, but we weren't alone, we had each other," Cortez said of the doctors, nurses, respiratory therapists and others who showed up day in and day out while COVID-19 burned its way through the region.

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Joy, tears and Billie Eilish: Essential workers revel in Hollywood Bowl return

Joy, tears and Billie Eilish: Essential workers revel in Hollywood Bowl return
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Notable Performances and Recordings of 2020


Save this story for later.
At the close of a catastrophic year in the performing arts, the annual ritual of cobbling together a list of highlights takes on a woeful cast. To begin with, I saw only three in-person events after mid-March. Although I watched dozens of performances online, sitting at my desk day after day lent the experiences a sense of sameness, of solipsism. The power of joining an audience resides in yoking your individuality to a collective, however temporary or disparate. In our electronic watchtowers, we seem to command a wide landscape, but ultimately we rarely leave the cocoon of the self. The COVID-19 year has trapped us all the more completely in the digital bubbles from which we so often long to break out. In a related development, the tech monopolies that already control too much of the cultural landscape have tightened their grip.

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