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Transcripts For DW Kino - The Movie Magazine 20181001 05:02:00

One point two million venezuelans made in colombia legally and illegally. Why return to the. To visit friends is that i dont think id ever go back there to live you know what i live there again i dont know so im not sure. Bearing witness global news that matters. Made for mines. Hi and welcome to a special edition of kino coming to you today from the city of frankfurt famous of course for its skyline and for being germanys capital of high finance but frankfurt is also home to one of the largest Film Museums In Europe and theyre honoring with an amazing exhibit a cinematic masterpiece. Two thousand and one a Space Odyssey the mother of all Science Fiction films. In One Thousand Nine Hundred Thirty Eight director
Film Museums In Europe , Space Odyssey , Science Fiction Films , Two Thousand And One , Stanley Kubrick , The Rules Of Cinema , One Thousand Nine Hundred Thirty Eight , Saifi Classa Film Turns Fifty , Son Fine Masterpiece , Sixtys American City , Nine Hundred Sixty , Set Design Kubrick , Rocket Pioneer Advena , Product Placement , Diameter Filming , Centrifugea Hamster Wheel , Won T , Hand Without Computer Technology , Rat London , Special Effects , Corrupt On , Mgm Studios , One Hundred , Attitude No , Art School Atmosphere , Red Rag ,

Pop Hit: "Saltburn" Exuberant Final Song to Wild Scene, "Murder on the Dance Floor," Charts After 22 Years

Nothing like a little naked dancing to get a song back on the charts.



"Murder On the Dance Floor" is having a Renaissance after 22 years. Sophie Ellis Bexter's deliciously catchy disco song was a hit around the world in 2002. It wasn't much of one in the US but that's about to change thanks to th ....

United Kingdom , Redcar And Cleveland , Barry Keoghan Oliver , Emerald Fennell , Sophie Ellis Bexter , Gregg Alexander , Joni Mitchell , Sophie Ellis Bextor , Kpop Hit , Final Song , Wild Scene , Ellis Bexter , Barry Keoghan , Daily Viral , Ellis Bextor , Gotta Give What You Get ,

Transcripts for MSNBC Katy Tur Reports 20240604 19:00:00

Produced it, her voice was on it, and there was a sense that her voice could power a pop hit outside of the r and b world. and then when she went out on her own to have these amazing hits, you know, the first album, private dancer, was almost a statement that, you know, i m here, and i survived this, and you know, songs like, you know, i can t stand the rain, and private dancer and you better be good to me. you know, and then to go on to have, you know, of course the big single that everyone remembers, what s love got to do with it, that was the title of the film that angela bassett started. and, again, you know, sort of embodying her story in a song, and, you know, the hits just go on and on. the hits. and, you know, it just goes on and on. she had so many great songs, but i think, you know, when she ....

Kpop Hit , R And B , The Rain , What S Love Got To Do With It , Angela Bassett , On And ,

Transcripts for MSNBC Chris Jansing Reports 20240604 19:00:00

Threatened by the success of that song, but phil specter produced it, her voice was on it, and there was a sense that her voice could power a pop hit outside of the r and b world. and then when she went out on her own to have these amazing hits, you know, the first album, private dancer, was almost a statement that, you know, i m here, and i survived this, and you know, songs like, you know, i can t stand the rain, and private dancer and you better be good to me. you know, and then to go on to have, you know, of course the big single that everyone remembers, what s love got to do with it, that was the title of the film that angela bassett started. and, again, you know, sort of embodying her story in a song, and, you know, the hits just go on and on. the hits. and, you know, it just goes on and on. she had so many great songs, but ....

Kpop Hit , R And B , Phil Specter , The Rain , What S Love Got To Do With It , Angela Bassett , On And ,

Transcripts for CNN Taking on Taylor Swift 20240604 02:06:00

Together. we worked on escape. we love that song so much that sean produced. i feel like people really appreciated real vocals back then. people loved r and b back then. r and b was i would say bigger than hip-hop. my first pop hit would probably be no more on 3 ow. so it s black girl groups of the late 90s and early 2000s. they had staying power. they had marketability. they could harmonize and dance. they had personality. they had identity. and they had something you could hold on to. nate and i worked on about three or four songs on the 3 ow ....

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