Peter Weir's Gallipoli 40 years on: deftly directed and still devastating
With the release of the first-world-war film Gallipoli in 1981, director Peter Weir could finally shrug off the nickname he had laboured under since making his first films: “Peter Weird”. Idiosyncratic work like Homesdale (1971), The Cars That Ate Paris (1974), and the deeply atmospheric, metaphysical dramas Picnic at Hanging Rock (1975) and The Last Wave (1977) had earned Weir a reputation for making quirky, mysterious, genre-bending films. His gift for creating mood and atmosphere at times overwhelmed his concern with linear narrative. This tendency seemed to change quite consciously ...