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(1) INTERNATIONAL REACTION TO HUGO AWARDS CENSORSHIP REPORT. Chris M. Barkley and Jason Sanford’s report “The 2023 Hugo Awards: A Report on Censorship and Exclusion” (also available at Genre Grapevine and as an e-book epub file and as a PDF) has sparked the attention of mass media: . The Guardian: “Authors ‘excluded from Hugo awards over China concerns’”. In
(1) 2024 HUGO VOTING STALLED. The Glasgow 2024 Worldcon paused Hugo nomination voting on January 28, announcing in social media, “We are aware of an issue with nominations. We have taken that system offline as a precaution.” Their January 30 update said, “We committed to update you on the temporary pause of Hugo Award nominations.
(1) LETTERS FROM THE EDITOR. C. E. Murphy shares her views about what kind of revision request letters work best: “Process Post: on edit letters” at The Essential Kit. There was a discussion going on over on Bluesky about dealing with edit letters, and this truth came up: “Editors aren’t always right about the solutions,
(1) WHEN GRAVITY FAILS. [Item by Mike Kennedy.] Chuck Jones’ rules for Coyote cartoons said it works best when gravity is what defeats him. Instead, the change in management at Warner Bros seems to be what has claimed his long-awaited film. The mixed live/animated Coyote Vs. Acme is rumored to have been consigned to the dustbin, despite
(1) LIGHTNING STRIKING AGAIN AND AGAIN. Charlie Jane Anders asks “Why Is It So Hard For Hollywood To Create Brand New Heroes?” at Happy Dancing. …I actually have no idea why Hollywood's heaviest hitters keep coming back to the same characters. To find out more, I asked Javier Grillo-Marxuach, the creator of The Middleman (which I praised