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A photographer excavates personal history through reconstruction of Adams's World War II photographs of Japanese Americans interned at the Manzanar Relocation Center.
Ansel Adams presented a positive view of the incarcerated, a stark contrast to the actual upheaval and bleak conditions of the sites.
Ansel Adams presented a positive view of the incarcerated, a stark contrast to the actual upheaval of relocation and bleak conditions of the camps.