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Contributor Marc Masters selects ten of his favourite Invisible Jukebox interviews from The Wire ’s back pages featuring Sunny Murray, Derek Bailey, Jaimie Branch, Lydia Lunch, and more. All selected articles are available to read in The Wire...
In the wake of the Afrofuturism festival of arts and music at New York’s Carnegie Hall, DeForrest Brown, Jr examines the liberating potential of the movement’s legacy
From free jazz to doomy drones, outsider artists have always found a home in the Wire. Its creators reflect on upending the orthodoxy, coining genres – and their hatred of big-name rivals
In the wake of the Afrofuturism festival of arts and music at New York’s Carnegie Hall, DeForrest Brown, Jr examines the liberating potential of the movement’s legacy
Owen Hatherley , April 17th, 2021 08:57 Owen Hatherley interviews Jonathan Meades about his new book Pedro and Ricky Come Again, a massive collection of his writing from 1988 to 2021 – and on why he’s no longer making television Photo by Pablosievert. CC BY-SA 4.0 The last time I saw Jonathan Meades was in May 2018, in Le Corbusier’s Unité d’Habitation in Marseille. In a flat surrounded with books, paintings, pictures, and postcards he’d made himself, and as we got through several bottles of rosé, he said he wasn’t fit enough to come up to the building’s famously sculptural r...