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The new works, including pieces by De Kooning, Matisse and Picasso, among nine others, honor the Thiebaud family legacy, university officials say.
Françoise Mouly speaks with Matt Bult, the son of the late artist Wayne Thiebaud, about Thiebaud’s cover for the September 11, 2023, issue of The New Yorker, adapted from his painting “Office and Shopping Mall, 2005-2021.”
After retiring in 2012 from UC Davis, where he was an art professor for 43 years—and on the eve of a solo show at the Manetti Shrem Museum—Mike Henderson reflects on shining shoes as a young man in Missouri, seeing his soul in Van Gogh's "Potato Eaters," believing he had lost decades' worth of paintings in a fire, and securing his place in one of the greatest university art departments ever assembled.
On the eve of his 90th birthday, Sacramento’s Wayne Thiebaud is hardly resting on his laurels. In fact, he’s just getting warmed up.
Artist whose colourful 1960s paintings of cakes and pies evoked an earlier era of American consumerism