Mitsui Fudosan America's 527 Madison Avenue Announces Gregory Hayes Exhibition
NEW YORK (PRWEB) February 02, 2022 -- Mitsui Fudosan America, Inc. is pleased to announce an exhibition of paintings by Gregory Hayes in the Lobby Gallery of
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NEW YORK (PRWEB) February 02, 2022 -- Mitsui Fudosan America, Inc. is pleased to announce an exhibition of paintings by Gregory Hayes in the Lobby Gallery of
Twelve of the country's top designers discuss the resurgence in art, its impact on design, and what will be trending in 2022.
Cal Performances presents the world premiere of Jamar Roberts' Holding Space, streaming thru Sept. 8. $5-$60. https://calperformances.org/ Circe: The Twilight of a Goddess Max Brumberg-Kraus' feminist queer retelling of the myth of Circe in Homer's The Odyssey set on floating stages at East Bay's Point San Pablo Harbor, with food and drinks, and live music. $100-$120. 7pm-10:30pm, Aug. 6, 7, 8. https://www.circetwilight.com/ Modern Garage Movement @ SAFEhouse Arts MGM's touring dance, God Knows Where is performed, with a participatory workshop. Aug. 8, 5pm. $10-$25. 145 Eddy St. https://sa...
Hyperrealist oil painter Greg Haynes showcases astounding technique, but limited meaning, in Maybaum Gallery’s “Mirror Effect” Maybaum Gallery & Greg Haynes/Courtesy Last Updated March 15, 2021 Hyperrealism is an exhilarating and open-ended art movement. Its practitioners paint or sculpt the stuff of real life with photographic accuracy. But is it a quest for reality or, as the word “hyper” suggests, an attempt to surpass it? This is one of the riddles that are at play in Greg Haynes’ solo exhibition currently on display at the Maybaum Gallery in downtown San Francisco. “Mirror ...
Interior Space in Motion: A Review of Laina Terpstra's Work @ Maybaum Gallery Maybaum Gallery // December 01, 2020 - January 15, 2021 January 11, 2021 | in Painting Laina Terpstra exhibits seven large paintings ranging from 72 x 60 inches to 36 x 48 inches, along with work by sculptor Paul Bloch, at Maybaum Gallery in San Francisco, through January 15. The paintings are united through Terpstra’s loose language of abstraction, but differ in gesture and color. Drawing from the old masters of the Dutch still life tradition, Terpstra uses the strictures of their hyper-composed style as a ki...