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"The proportions alone are staggering," says Grammy-winning conductor Teddy Abrams, music director of the Louisville Orchestra.
It stands as the crowning achievement of Western classical music.
(The Conversation is an independent and nonprofit source of news, analysis and commentary from academic experts.)
By 1961, Joan Baez, the dark-haired waif who had captured the spotlight at the first Newport Folk Festival just two years earlier, was folk music's virginal superstar, leading the coffeehouse culture of a new American generation. And an unknown, unwashed, Woody Guthrie—worshiping kid from the Minnesota suburbs named Bob Dylan had just arrived in Greenwich Village. In an excerpt from his forthcoming book, Positively 4th Street, DAVID HAJDU recalls the prickly beginnings of the Baez-Dylan relationship, the strange symbiosis between her voice and his music, and the triumphant, magi...