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In late 1945, Harry Smith arrived in in the hope of continuing his anthropological studies, Smith was quickly drawn into the vibrant Bohemian scene of the Bay Area.
“Far-out” is an accurate, but inadequate, descriptor for the high-flying (and often plain high) cultural magus named Harry Smith (1923-91).
A solo show takes on the legacy of the painter, folk musicologist, filmmaker, obsessive collector and underground legend. It also hints at what has been lost.
Josh Kline: Project for a New American Century, on view at the a href= http://www.whitney.org target= _blank Whitney Museum of American Art /a fro
On view through the end of the year, the show brings two artists into a gallery space through photos, videos, and posters. Each is in tune with how their work