Page 26 - Merce Cunningham News Today : Breaking News, Live Updates & Top Stories | Vimarsana

WRITING IN 1973 for Art International, Douglas Crimp reviewed Blythe Bohnen at New York’s A.I.R. (Artists in Residence Inc.) Gallery, the landmark women’s cooperative that opened in 1972, of which the artist was a founding member. That same year, she completed her MFA at Hunter College and was included in the “Annual Exhibition: Contemporary American Painting” at the Whitney Museum of American Art. “Brushstroke,” the near-taxonomic series that Bohnen had started in 1968—and which included 48 Brushstrokes, 1971, a matrix of gesture, instantiated and recalled, that was reproduced o...

From large-scale surveys of Judy Chicago and Ed Ruscha, to showcases of Barkley L. Hendricks’s portraits, Ruth Asawa’s works on paper, Shary Boyle’s surreal ceramics, Korean experimental art and more

This year, the summer performance series puts two artists’ work in conversation—with each other, and with the gulls and sunbathers along the shore.

With outstretched arms, dancers skimmed across the sand like gliding birds, soundless against the pressing wind and somehow soaring without actual win

Being a contemporary dancer in today's society is "an act of will, an act of courage," Mr. Solomons once said.