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Colby Chamberlain on the art of Josh Kline - Artforum International - Vimarsana News

Colby Chamberlain on the art of Josh Kline - Artforum International

AMERICA LOVES its unconscionable mash-ups. Since the 1990s, a fixture of Thanksgiving Day football coverage has been television anchors’ ritual consumption of a “turducken”: a chicken stuffed in a duck stuffed in a turkey. Following that logic, what would be the apposite coinage for a manifesto slipped into a press release set inside the screenshot of a Gmail message? A manipresscreenmail, or a Gshotleasefesto? Either way, the announcement for “Nobodies New York,” a small group show organized by Josh Kline in 2009, a full one hundred years after the Futurist Manifesto appeared in Le ...

Juxtapoz Magazine - Martha Edelheit: Naked City, Paintings from 1965–80 @ Eric Firestone Gallery, NYC - Vimarsana News

Juxtapoz Magazine - Martha Edelheit: Naked City, Paintings from 1965–80 @ Eric Firestone Gallery, NYC

Eric Firestone Gallery is pleased to announce Martha Edelheit: Naked City, Paintings from 1965–80. This is the gallery’s second solo exhibition with t...

Alfred Leslie: Leading New York Beat Painter And Filmmaker Dies Aged 95 - Vimarsana News

Alfred Leslie: Leading New York Beat Painter And Filmmaker Dies Aged 95

The leading New York 'Beat' Painter and filmmaker Alfred Leslie has died aged 95. Leslie was born in the Bronx in 1927

Alfred Leslie, Artist Who Turned Away From Abstraction, Dies at 95 - Vimarsana News

Alfred Leslie, Artist Who Turned Away From Abstraction, Dies at 95

“The virtual banishment of figuration and narrative from the vocabulary of so many thoughtful artists was one of the legacies of the modernists,” he said. “I never accepted this.”

T. J. Clark's impressions of Cézanne out of time - Artforum International - Vimarsana News

T. J. Clark's impressions of Cézanne out of time - Artforum International

IF THESE APPLES SHOULD FALL: CÉZANNE AND THE PRESENT. BY T. J. CLARK. Thames & Hudson, 2022. 240 pages. THE MOST PUZZLING THING about T. J. Clark’s new book is its title. If These Apples Should Fall: Cézanne and the Present suggests a contemporaneity, even a topicality, that never comes. Most of the chapters derive from texts written years ago, and all the pulsations of the present day—its politics, crises, and fashions—ring somewhere beyond the book’s ambit. For the author, Paul Cézanne’s present tense instead resides in the moment of looking itself: “I want . . . a writin...