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Kentucky boasts a rich cultural heritage, stunning landscapes, and a warm hospitality that has drawn filmmakers worldwide. Its picturesque countryside, charming small towns, and vibrant cities have provided the perfect backdrop for numerous iconic movies. Kentucky's diverse terrain has played a pivotal role in shaping the narratives of these cinematic masterpieces, from heartwarming dramas to ....
Whether it is the producer's work to bring a production together, the cinematographer's careful selection of palette and lighting, or the writer's ....
U pon its initial release in 1982, Ridley Scott’s “Blade Runner” was a critical and commercial disappointment. Over time the film amassed a devoted cult following, and in 1992, upon the release of Scott’s director’s cut, Times film critic Kenneth Turan wrote a deep dive into the making of the film and its rediscovery. Twenty-five years later a sequel, “Blade Runner 2049,” will open in theaters nationwide. This article was originally published on Sept. 13, 1992. Elegant cars gliding through a decaying infrastructure, the dispossessed huddling in the shadow of bright skyscrapers, the sensation of a dystopian, multiethnic civilization that has managed to simultaneously advance and regress these are scenes of modern urban decline, and if they make you think of a movie, and chances are they will, it can have only one name: “Blade Runner.” ....
Blade Runner tallied $14.8 million.) That would have likely been the end of the story, if not for a fluke occurrence in 1990. That’s when a Los Angeles repertory theater requested a print of Blade Runner from Warner Bros. and got something unexpected, as Gizmodo reports. An exhaustive report in the Los Angeles Times, written by noted film critic Kenneth Turan in 1992, detailed how the Cineplex Odeon Fairfax asked for and received a 70mm print of the sci-fi film. Michael Arick, the director of asset management for Warner Bros., handed over what he thought was the theatrical cut of the movie, which he had grabbed after noticing it had been abandoned in a screening room. Arick never actually rolled the film, so he had no reason to believe it was anything other than the 1982 version audiences saw in theaters. ....