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Reacts to it and grapples with it. So today i want to frame our discussion around a couple of quotations. The first is from the anthropologist and fox. Fox writes, Country Music is widely described in racialized terms. Assures sins of its essential badness is frequently framed and racial terms. For many cosmopolitan americans, especially country is bad music because it is widely understood to signify an explicit claim to whiteness. Not as an unmarked mutual condition as locking or trying to shed race, but as marked of cultural identity. Bad whiteness, and redeem by ethnicity, folklore authenticity, progressive politics or than no plus a bleach of elites. I want us to think about that, Country Music as articulating current being this type of marked white particularity. So thats the first quote, the second. Its from the writer and historian roxanne dunn bar, and her book red dirt ....
So this was a time when, again, black people had to create their own community. So in this particular community, they built their homes, they had a business district. They had one school. They had their churches that everyone attended. There was a very closeknit community. What got the ball rolling here in chapel hill during the Civil Rights Movement was, after the greensboro sitin, there were a group of guys that got together and they decided that they needed to do something here in chapel hill to make change happen. That is where the chapel hill nine started. What made this movement different from those that were going on in other places was that this was led by high school students. Students got together, talked about it, and then they began planning for citizens and sit ins and marches. During the movement, they were subjected to namecalling. They were subjected to rock throwing. They were subjected to chemicals being p ....