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All In With Chris Hayes

All In With Chris Hayes
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The Last Word With Lawrence ODonnell

technology, is an evolving tool depicts the power of what they can do, it is emanating so rapidly and on such a grand scale that yes, a lot of big questions are very timely. what does it mean for job threats, job creation, what does it mean for cybersecurity? what does it mean for being able to advance health benefits? what does it mean for national security? so i do think that schumer has been right to put the members of the senate, both republicans and democrats, to do somewhat of an a i boot camp so we can begin to get our minds around these issues and offer the right balance of -- without stifling the innovation and the upside of what i can offer. >> you are actually well situated to have this discussion because all of this is in your state. you've got the companies that will make a lot of money out of a high, the people work for this accompanies, movie studios, actors, writers, the strikers

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The Last Word With Lawrence ODonnell

will make a lot of money out of a high, the people work for this accompanies, movie studios, actors, writers, the strikers and the companies, you've got everybody involved in this. that is just one little aspect of a i. it is all the other stuff of if it is actually in danger of undermining democracy, our deep sakes that use your impression or my impression, we can recreate the conversation where you and i are saying completely different things. is it your sense that your colleagues in the united states congress are equipped to take the information that we are getting from the intelligence community and somehow process that into sensible, regulation whatever that may look like? >> i do believe. i think it has been smart for us to come together, some are looking at it, for example, from an intelligence perspective. so maybe looking at it from a health perspective. some from a foreign relations as perspective. some from a job creation perspective. altogether, because it is not one or the other, it is the

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CNN Newsroom With Fredricka Whitfield

they're facing a mayor who's a sag member who's not really taking their position at all. we have to remember that if we pay the workers well, the writers, the actors, the crew, all the folks who work in the industry, if they do well, then their money comes back to the local economy. they spend money at restaurants and the dry cleaners and local daycare. but if the money goes to the top 1%, the ceos, the executives, they don't spend money there. they leave town. for me, it's simple. keep that money local, pay the local workers. >> that's interesting, because the movie studios right there in burbank would ordinarily look to you for support, but they're not going to get it this time because you're a sag-aftra member. >> it's tough. both warner brothers and disney

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The Source With Kaitlan Collins

>> with the writer strike, most of the tv lineup got strike. now the actor strike, allow your movies are going to be impacted. and that is especially because they cannot promote them. so when you were a movie studio and you want to put a big film out, if you cannot have your actors out there going to red carpet premieres, putting things on social media, you are not going to get people in seats in the theaters. one of the major things that is going to happen because of the strike is you can expect to potentially see some movies be pushed further out of the schedule, or, movie studios are going to have to get more creative, perhaps spending more on advertising to promote them to consumers but they we saw the cast of christopher nolan's movie, oppenheimer, in the uk. bob iger did an interview today. we do not always hear from him and like the interviews, the disney ceo. he said this about the strikes. there is a level of expectation that they have that is just not

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The Source With Kaitlan Collins

because of the strike is that you can expect to potentially see some new movies be pushed for the out of the schedule, or movie studios are going to have to get a little bit more creative, perhaps spending even more on advertising to promote them to consumers. >> yeah, and speaking of the strikes, we saw the cast of christopher nolan's movie, the oppenheimer, today, in the uk. bob iger did it -- an interview from today. we don't always hear from him and -- interviews with the disney ceo. and he said this about the strikes. there's a level of expectation that they have that is just not realistic. and they are adding to the set of challenges that this business is already facing. and that is, quite frankly, very disruptive. so, what he is saying there is, look, this industry is being plagued by a lot of this use, and you are trying to come in here and take more from us that then we are able to give. >> now, to an extent, he's right. the streaming era is hitting a little bit of a snag right now. we are not seeing sign ups too subscriptions or versus as much. the box office is struggling. but what the actors would argue is, look at the paychecks from the ceos of these companies. they are really high. so, i think that they are going to be at a standstill for a long time.

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CNN News Central

and actors and writers losing salaries, but there's a ripple effect here. talking about businesses and people who work in craft services, janeters, uber drivers, deli owners, who support local communities where a production happens as well as prop and set companies who basically stage a lot of these productions. now this is no longer going to be a u.s. economic impact. this is going to be an international economic impact because you have a lot of these movie studios that do production in other countries. like new zealand, the uk, australia. those countries can be impacted and also anywhere postproduction is done. now, disney's ceo bob iger was on cnbc yesterday and he says he believes there will be collateral damage on other industries because of these two strikes. the last strike, 15 weeks. writers held their strike in

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Special Report With Bret Baier

moment in the film. and house republicans are coming out and they are pointing out that this was a sign that the u.s. needs to be much more aware how propaganda being played in the u.s. there is about $4.6 billion in china's film industry. and so you have seen a whole shift over the probably last two decades of the hollywood trying to work with and cater. we are entering a new sort of phase of self-censorship. and that's what these republicans you are hearing from mike gallagher warning this is appeasing the ccp to other republicans this is what this is. it's broader than the barbie movie. we saw it with top gun maverick. we have seen it worry big blockbusters. that's what they're warning about here. >> gillian: caving in this way gives american movie studios access to billions of watchers in china. so there is financial interest at stake as well. panel, thanks so much for joining us. we have got to leave it there learned a lot from talking to you as always.

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The Context

could go on and on. but it is not without risk, is it?— without risk, is it? no, it's not. but without risk, is it? no, it's not. itut there _ without risk, is it? no, it's not. but there are _ without risk, is it? no, it's not. but there are some _ without risk, is it? no, it's not. but there are some interesting| but there are some interesting things to built—in into how mattel is doing this. certain companies like hasbro, for example, but their transformers, they struck partnerships with studios like paramount, they even bought a studio they developed a lot of stuff in house where detail is really leaning into their third—party partnerships stop so in this case, you've got warner bros. with barbie and they are developing all of these different movies. we've got hot wheels, viewmaster, magic eight ball. they are all being developed with different movie studios. so by farming out a lot of this content to the studio partners, they are sort of reducing the internal risk, so they are able to have all of these plates spinning with all of these different brands and developments, and if they strike gold, they cashed the check. if not, it's not a big loss, they move onto the next thing.

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FOX and Friends

and then susan kokavar 89 drive-in theaters in traverse city. your reaction, whether they started clamping down, how did it affect your business? well, we were shut down for a few months, fortunately our mayor workted with the governor to get our drive-in movie theater open and we did pretty well because we were the only venue open. but we still, you know, couldn't be at full capacity. we couldn't serve food. so it was very difficult. and we also didn't play any new movies. they were all everything from the movie studios had in the pipeline. this was all older material. >> brian: unbelievable. because you would think drive-in movies are the one thing we were able to do. they were actually doing rallies

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