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This Cultural Life

he wrote a concerto for you, as well. how did that process differ to working with marsalis? mark is absolutely one of a kind. i have loved him, his musicianship, his playing, since he won young musician of the year. the 2006 bbc young musician of the year, mark simpson. cheering and applause. i met him that year. i handed over the prize to him. had you won it the year before? yes. so, i�ve known him for a long time. and he has the capacity to delve very deep inside the human condition and suffering and is willing to sit there in order to write music and express music, and that�s what he does. he sacrifices a lot. and this concerto born

Kind , Playing , Wynton-marsalis , Process , Musician , Concerto , Musicianship , Mark , One , Mark-simpson , Applause , Yes

This Cultural Life

i have loved him, his musicianship, his playing, since he won young musician of the year. the 2006 bbc young musician of the year, mark simpson. cheering and applause. i met him that year. i handed over the prize to him. had you won it the year before? yes. so, i've known him for a long time. and he has the capacity to delve very deep inside the human condition and suffering and is willing to sit there in order to write music and express music, and that's what he does. he sacrifices a lot. and this concerto born out of lockdown. .. ..he says that he actually had

Playing , Musician , Mark-simpson , Applause , Cheering , Musicianship , Bbc-young-musician-of-the-year , 2006 , Yes , Capacity , Human-condition , Prize

This Cultural Life

cheering and applause. what impact can music education have on those young lives, do you think? well, it deals with the invisible parts of us that a lot of education does not really deal with. so, thoughts, feelings, how you actually communicate. and it�s the things that are hard to quantify. but when you think of problem—solving, dealing with difficult emotion circumstances, they are, in a way, the most important skills to learn. more recently, you�ve been working with young british composer mark simpson. he wrote a concerto for you, as well. how did that process differ to working with marsalis? mark is absolutely one of a kind. i have loved him, his musicianship, his playing, since he won young musician of the year. the 2006 bbc young musician of the year, mark simpson. cheering and applause.

Going-out , Us , Education , Parts , Music-education , Impact , Cheering , Applause , Lives , It , Things , Emotion-circumstances

This Cultural Life

for you, as well. how did that process differ to working with marsalis? mark is absolutely one of a kind. i have loved him, his musicianship, his playing, since he won young musician of the year. the 2006 bbc young musician of the year, mark simpson. cheering and applause. i met him that year. i handed over the prize to him. had you won it the year before? yes. so, i�ve known him for a long time. and he has the capacity to delve very deep inside the human condition and suffering and is willing to sit there in order to write music and express music, and that�s what he does. he sacrifices a lot. and this concerto born out of lockdown. ..

Kind , Playing , Wynton-marsalis , Process , Musician , Musicianship , Mark , Bbc-young-musician-of-the-year , 2006 , One , Mark-simpson , Cheering

The Eighties

[ cheers and applause ] this is the thing about the '80s. everyone thinks it's about crazy haircuts, lots of makeup, insane clothes, and it was, but the thing about this music that lasts is that their songs were so good. melvoin: you can go back and listen to those records, from the engineering to the musicianship to the writing and performance of it and it surpasses most music. brown: everybody had a story, and they wanted to tell it. the artists that were coming through the tv and into your lives. ♪ everybody wants to rule the world ♪ questlove: i'll say the music of the '80s is more effective than what came to us in the '60s simply because all of us were included this time. no decade was more effective in dance music and politics in different genres than the '80s. there will never, ever be another decade like it, ever. ♪ everybody wants to rule the world ♪

Music , Thing , Cheers , Applause , Songs , Everyone , Makeup , Clothes , Lots , Crazy-haircuts , 80 , Rock-and-roll-music

The Bee Gees How Can You Mend a Broken Heart

i came up with a lot of new ideas to suit the falsetto. >> everybody was saying the same thing, do the falsetto again, do the falsetto again. so, that was fine for me. i was having a ball. >> a lot of new music has been coming out of miami lately. enough so that we've even heard mentioned the term "miami sound." ♪ midnight ♪ >> this is actually really important for musicianship and production that targets the dance floor. it's a different emotional energy, which is about can you make the body move? can you make the body happy? ♪ you should be dancing ♪ ♪ yeah ♪ ♪ dancing yeah ♪ >> certain songs sounded like the human embodiment of a brass

Thing , Everybody , Lot , Falsetto , Ideas , We-weren-t-writing-theater-music , Sound , Miami , Term , Ball , Musicianship , Production

The Eighties

♪ fine, fine, fine, fine ♪ >> you know, this is the thing about the '80s. everyone thinks it's about crazy haircuts, lots of makeup, insane clothes, and it was. but the thing about this music that lasts is that their songs were so good. >> you can go back and listen to those records, from the engineering to the musicianship to the writing and to the performance of it. it surpasses most music. >> everybody had a story, and they wanted to tell it. the artists that were coming through the tv and into your lives. ♪ everybody wants to rule the world ♪ >> i'll say the music of the '80s is more effective than what came to us in the '60s simply because all of us were included this time. no decade was more effective in dance music and politics in different genres than the '80s. there will never, ever be another decade like it, ever.

Everyone , Thing , Makeup , Fine , Lots , Crazy-haircuts , 80 , Music , Songs , Records , Musicianship , Writing

The Eighties

it's the end of the world as we know it. and i feel fine. >> [lyrics] fine, fine. fine, fine. >> you know, this is the thing about the '80s. everyone thinks it's about crazy haircuts, lots of makeup, insane clothes, and it was. but the thing about this music that lasts is that their songs were so good. >> you can go back and listen to those records, from the engineering to the musicianship to the writing and to the performance of it. it surpasses most music. >> everybody had a story, and they wanted to tell it. the artists that were coming through the tv and into your lives. >> [lyrics] everybody wants to rule the world. >> i'll say the music of the '80s is more effective than what came to us in the '60s simply because all of us were included this time. no decade was more effective in

Lyrics , Thing , Fine , The-end-of-world , 80 , Music , Everyone , Songs , Makeup , Lots , Clothes , Crazy-haircuts

The Eighties

those records, from the engineering to the musicianship to the writing and to the performance of it. it surpasses most music. >> everybody had a story, and they wanted to tell it. the artists that were coming through the tv and into your lives. ♪ everybody wants to rule the world ♪ >> i'll say that the music of the '80s is more effective than what came to us in the '60s simply because all of us were included this time. no decade was more effective in dance music, in politics, in different genres than the '80s. there will never, ever be another decade like it, ever. ♪ everybody wants to rule the world ♪ ♪ there's a room where the light won't find you ♪ ♪ holding hands while the walls come tumbling down ♪ ♪ when they do i'll be right behind you ♪ ♪ so glad we've almost made it so sad they have to fade it ♪ ♪ everybody wants to rule the world ♪

Music , Artists , Everybody , Records , Tv , Story , Musicianship , Writing , Performance , Engineering , Everybody-wants-to-rule-the-world , Dance-music

The Eighties

but the thing about this music that lasts is that their songs were so good. >> you can go back and listen to those records, from the engineering to the musicianship to the writing and to the performance of it. it surpasses most music. >> everybody had a story, and they wanted to tell it. the artists that were coming through the tv and into your lives. ♪ everybody wants to rule the world ♪ >> i'll say that the music of the '80s is more effective than what came to us in the '60s simply because all of us were included this time. no decade was more effective in dance music, in politics, in different genres than the '80s. there will never, ever be another decade like it, ever. ♪ everybody wants to rule the world ♪ ♪ there's a room where the light won't find you ♪ ♪ holding hands while the walls come tumbling down ♪ ♪ when they do i'll be right behind you ♪

Mtv-music , Records , Songs , Thing , Musicianship , Performance , Writing , Clothes , Engineering , Tv , Everybody , Music-1980