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Maui's Kamalei Kawaʻa participates in blind audition for Season 25 of NBC's 'The Voice' : Maui Now

Maui musician, Kamalei Kawaʻa, is among those who auditioned for Season 25 of NBC’s “The Voice,” he announced via his social media platforms on Thursday.

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The Bee Gees How Can You Mend a Broken Heart

about all music. the falsetto is very much a black tradition, but they've translated it into this interesting interpretation of soul. but i guess, more importantly for me, it's emotional. >> because we were so excited about this, we started writing songs for this voice. >> it created another dimension of sound. that's what we thought emotionally. it became an icon of the gibbs. >> when you heard that falsetto, that's the bee gees. ♪ you know we begin ♪ >> when we sing songs like, you know how easy it is to hurt me, they meshed together so well, it sounds like one voice. but it's a different voice. n

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The Bee Gees How Can You Mend a Broken Heart

i came up with a lot of new ideas to suit the falsetto. >> everybody was saying the same thing, do the falsetto again, do the falsetto again. so, that was fine for me. i was having a ball. >> a lot of new music has been coming out of miami lately. enough so that we've even heard mentioned the term "miami sound." ♪ midnight ♪ >> this is actually really important for musicianship and production that targets the dance floor. it's a different emotional energy, which is about can you make the body move? can you make the body happy? ♪ you should be dancing ♪ ♪ yeah ♪ ♪ dancing yeah ♪ >> certain songs sounded like the human embodiment of a brass

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The Bee Gees How Can You Mend a Broken Heart

did the -- ♪ baby the nights on broadway ♪ >> everybody in the control room woke up and was like, oh, this is a new sound. >> i was thinking, my god, where is this coming from? i can do this. my whole life i didn't know i could do this. >> everybody was giving him credit. he was singing. i said, keep on doing it. ♪ yeah, yeah, yeah ♪ >> arif brought it out of us. we were the first to sing falsetto. we loved the stylistics. we loved the spinners. they were all falsetto singers. ♪ >> there's something to be sasaid

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The Bee Gees How Can You Mend a Broken Heart

discovery of this falsetto voice. >> what the bee gees brought? i always thought they brought melody to disco. most disco was melody-free. this was a different take on disco. >> you have the lyrics? >> yes, right here. >> okay. >> one, two, three, four. ♪ ♪ >> it's too slow. it would be nice if we could find a bigger sound for that solo. >> yeah. just like that. yeah. beautiful. bring that sound. that's great. yeah. let's try it again. >> okay. >> one, two, three, four.

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The Bee Gees How Can You Mend a Broken Heart

for me, it's emotional. . >> because we are so excited about, this we started writing the songs for this voice. >> it created another dimension of sound. that's what we thought. you know, emotionally. it became another icon of the gibb. everyone knew when you heard that falsetto, that is the bee gees. ♪ ♪ ♪ >> when we sing songs like you know how easy it is to hurt me, it's barry and robin singing in unison, but they mesh together so well that sounds like one voice. but it's a different voice from them separately. >> it's delivered with such delicacy. and the message in the lyrics

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The Bee Gees How Can You Mend a Broken Heart

him i found out he played on i shot the sheriff with eric. >> i'll be hadn't inroad into technology. and he had a great ear. >> everyone just seemed to be quite relieved to have another ear in the control room, to hear what they were doing as a whole. ♪ ♪ ♪ >> in the beginning when i, came the three brothers were clearly a unit. each of them knew the way they brothers saying and would be on the same mic, and they would lean in our lead out, compliment each other's voices. sort of in perfect symphony. >> we found another sound. we found a noose out. >> i came up with a lot of new ideas. just the falsetto, everyone was saying the same thing. do the falsetto again, through the falsetto again. so, it was fine for me.

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The Bee Gees How Can You Mend a Broken Heart

new sound. i was thinking, my god, where is this coming from? how could he do this? my whole life i did know he could do this. >> he was singing it, i said keep on doing it. ♪ ♪ ♪ >> -- pulled us out of it. we weren't the first to sing falsetto. we love the stylistic's. we love the spinners and del phonics. they were all falsetto lead singers. ♪ ♪ ♪ >> there's something to be said about all music, that it doesn't happen in a vacuum. the falsetto is very much a black tradition. but they've translated it into this interesting interpretation of seoul. but i guess more importantly

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CNN Films Dionne Warwick Dont Make Me Over

he gave me a list of artists. >> and his face lights up and he says, "dionne warwick." >> that's the lady right there. >> he was so thrilled. he said, "i'm going to write you a song for dionne warwick. you're going to get it in 10 days." >> so i came up with a song along with maurice and robin called "heartbreaker." i was excited that this might be a hit for her. >> he says, "i wrote this," he said, "for dionne." "and i did the demo." oh, my god. so we both with bated breath were waiting. >> i would sing the song in falsetto because that was a woman's key. and i did "heartbreaker" that way. ♪ i've got to say it and it's hard for me ♪ ♪ you got me crying like i thought i would never be ♪ >> i've only got one thing to say about that, that she did it better. maybe that's why she wasn't keen on it. >> something about that song i just did not want to record it. between barry and maurice, clive davis was very strong-armed at

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