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About a year ago, a literary salon sprang to life in a run-down town house in the West Village. Dozens of young writers, critics, artists, theatre actors and filmmakers started going there almost nightly to drink, smoke, talk, dance and argue, much like their bohemian predecessors in the days before sky-high rents priced poets out of the neighbourhood.
About a year ago, a literary salon sprang to life in a run-down town house in the West Village. Dozens of young writers, critics, artists, theatre actors and filmmakers started going there almost nightly to drink, smoke, talk, dance and argue, much like their bohemian predecessors in the days before sky-high rents priced poets out of the neighbourhood.
About a year ago, a literary salon sprang to life in a run-down town house in the West Village. Dozens of young writers, critics, artists, theater act
They came. They drank. They staged plays and argued about Shakespeare. For dozens of up-and-coming writers, actors and artists, it was nice while it lasted.
LOS ANGELES — The adventuresome Pacific Opera Project (POP) gave the Los Angeles stage premiere of Pyotr Ilyich Tchaikovsky’s Iolanta at the 800-seat Aratani Theatre in Little Tokyo on Sun., March 20.