Beachcomber and Dungeon helped Sixties' Bolton's 'swing'
Sixty years on it is difficult to imagine what a thriving music scene Bolton had in the 1960s and how the town played a full part in what became…
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Sixty years on it is difficult to imagine what a thriving music scene Bolton had in the 1960s and how the town played a full part in what became…
Richard Clements’s How to Bury a Dead Mule, at Edinburgh Fringe, is a powerful account of the effects of war on the soldiers who have to fight them
THE Second World War generation is dwindling, but anybody who sees Richard Clements' brilliant one-man play How to Bury a Dead Mule will feel they have time travelled back to the 1939 to 1945 conflict.
FOLLOWING its acclaimed opening run at the Lyric in Belfast last year, Richard Clements' one man show How To Bury A Dead Mule is on its way to this year's Edinburgh Fringe Festival.
How To Bury A Dead Mule tells the true story of Norman Clements, Royal Irish Fusilier, his experiences of the front line battles of North Africa, Sicily and Italy during World War Two, and his subsequent struggles with post traumatic stress disorder.