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Musical Labor at Home and in the Factory: Commercial Music Technologies in the Machine Age Clara Latham is Assistant Professor of Music Technology at Eugene Lang College. Her research focuses on the relationship between sound, technology, and labor. She is a 2023 – 2024 member of the Institute for Advanced Studies, where she is working on a book about early twentieth century commercial music technologies in the United States, showing how electronic musical instruments shaped musical labor in this period. Recent articles have appeared in the Journal of Musicology, the Opera Quarterly, and Res...

Musical Labor at Home and in the Factory: Commercial Music Technologies in the Machine Age Clara Latham is Assistant Professor of Music Technology at Eugene Lang College. Her research focuses on the relationship between sound, technology, and labor. She is a 2023 – 2024 member of the Institute for Advanced Studies, where she is working on a book about early twentieth century commercial music technologies in the United States, showing how electronic musical instruments shaped musical labor in this period. Recent articles have appeared in the Journal of Musicology, the Opera Quarterly, and Res...

There are so many American myths: the Mayflower Story, George Washington never telling a lie, and then there is Francis Scott Key penning the lyrics to what became our national anthem. How much is of the "Star-Spangled Banner" story is true? Join Deb Polich on this edition of "creative impact." She welcomes back musicologist Mark Clague, whose new book, "O Say Can You Hear?" breaks down the music from the myth.

Mark Clague’s profile on The Conversation

She was the reigning diva in Vienna, but was also sensational as the Queen of the Night at Glyndebourne and Zerbinetta at Covent Garden