The bagel shop in washington, d. C. , and business is heating. Up it only opened in october, but already owner andrew dana is looking for a second location and the workers to run it. Were planning on minimum 20 people, and ift is reall booming it will be more than that. So that will take us over the 100 employee mark, which is etty crazy. Reporter it is just one example of americas red j hot market, now nearly nine years strong. The economy has added 21 million jobs since 2010ennd unemplo is at the lowest rate since 1969, just 3. 7 . This is recovery people have counted out again and again and it just keeps truckin along. Reporter the ton three sectors for job growth this year, restaurants like collier mother a a other businesses in industry. Re and hospitality they added an average of 23,000 jobs a month. Second professional and Business Services growing b 33,000 jobs a month. Topping the list, health care, delivering 55,000 jobs a month. But experts arein sta to worry that troub t li
Richard Armstrong joined Guggenheim President Emeritus Jennifer Stockman and Rail Consulting Editor Joachim Pissarro to discuss the parallels of politics, religion, and art; the joys and challenges of spearheading one of New York’s most storied cultural institutions; and the importance of keeping the art—and the artists—close.
IF YOU HAVE EVER taken the stairs at what used to be the Whitney Museum of American Art Marcel Breuer’s Brutalist masterpiece on New York’s Upper East Side you have almost certainly encountered the work of Charles Simonds, though you may not have realized it. One of only two pieces in the Whitney’s collection that did not head downtown when the institution moved to the Meatpacking District in 2015 (the other being Nicole Eisenman’s Exploding Whitney Mural, 1995), Simonds’s permanent installation huddles unobtrusively above the stairwell’s only window. It is a miniature village, an apparently