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'Keep an Eye Out' Review: Quentin Dupieux's Police Procedural Is More Tame Than Transgressive - Vimarsana News

'Keep an Eye Out' Review: Quentin Dupieux's Police Procedural Is More Tame Than Transgressive

'Keep an Eye Out' Review: Quentin Dupieux's Police Procedural Is More Tame Than Transgressive The 'Rubber' director's first fully French production doesn't exactly find him at home. Michael Nordine, provided by FacebookTwitterEmail Director: Quentin Dupieux With: Benoît Poelvoorde, Grégoire Ludig, Marc Fraize, Anaïs Demoustier, Orelsan, Philippe Duquesne, Jacky Lambert, Jeanne Rosa, Vincent Grass, Nahel Ange, July Messéan, Johnny Malle, Laurent Nicolas, Michel Hazanavicius, Pedro Winter. In the pantheon of love-them-or-hate-them auteurs, Quentin Dupieux resides somewhere in the middle â€...

Justin Bieber's 'Justice' Cover Looks Like Justice's Logo - Vimarsana News

Justin Bieber's 'Justice' Cover Looks Like Justice's Logo

Last week, Justin Bieber announced the name of his sixth studio album, 'Justice.' As you can see, it bears a striking resemblance to dance duo Justice's logo

Source: spin.com
Justice Aren't Too Happy About Justin Bieber's 'Justice' Album Art - Vimarsana News

Justice Aren't Too Happy About Justin Bieber's 'Justice' Album Art

Justin Bieber recently announced his new album Justice, and ICYMI, the record comes with one hell of a bad cover. But not only is the cover...

Source: exclaim.ca
Daft Punk - Isle of Wight Radio - Vimarsana News

Daft Punk - Isle of Wight Radio

Isle of Wight Radio great music and Isle of Wight news the Island trusts

'They left an indelible mark on my psyche': how Daft Punk pushed pop forward - Vimarsana News

'They left an indelible mark on my psyche': how Daft Punk pushed pop forward

Last modified on Fri 26 Feb 2021 09.22 EST Following their split this week after 28 years, Daft Punk have ascended to pop Valhalla. Perhaps they’re sitting next to Prince, whose pirouetting falsetto funk and emotional vulnerability inspired the duo’s 2001 masterpiece Discovery, and Led Zeppelin, from whom they cribbed double-necked guitars and 10-tonne drums on 2005’s Human After All. Yet those albums were met with a mixed reception – audiences and critics alike had to learn to trust Daft Punk’s vision of the future. For British producer-DJ Erol Alkan, whose fan forums were an essen...