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Another sign of the growth in customized interior décor is the increased interest in using white ink in producing higher quality and more diverse interior décor products. This includes such applications and materials as signage and graphics, window displays, wallpapers, vinyl, glass, wood, aluminum, cork and even printed leather to name just a few options. Participants in a recent HP sponsored webinar discuss how the addition of white ink has helped them successfully expanded their businesses and product portfolios.

When we talk of nearshore or close proximity production, there is always an unspoken truth: sewn manufacturing (or CMT to those within the industry) and its local availability. Once printed, textiles are almost always cut and sewn into a final product. Supply chain challenges of the last two years have exposed a sewn skills gap, and further highlighted a significant lack of manufacturing knowledge readily available in the UK (and other developed countries), making the reshoring of sewn goods in any volume a difficult proposition. This initiative is designed not only to incorporate more digital...

I recently watched a very interesting panel discussion about graphene, its many uses, some of the challenges and barriers to market adoption, and the great work that a number of companies are doing to accelerate market adoption across a variety of industries. Why is this important? Graphene Council Executive Director Terrance Barkan sums it up: “The whole world is looking at how do we get to net carbon zero, and it is clear that legacy materials will not get us there. We need much better performance out of all of our materials, and graphene is so versatile across so many different applicatio...

A critical factor in the future of textiles and apparel is the education of new talent in the world’s fashion and design schools. Increasingly, these schools are bringing in digital technologies, including digital textile printing, to prepare their students for the changing world they will be entering. Cardiff School of Art and Design is one of the schools that is doing just that, as explained in this article compliments of textiles expert and WhatTheyThink contributor Debbie McKeegan.

A little over six months ago, four young graduates joined the “Creatives in Residence” project based at the CMYUK demonstration facility in Shrewsbury. After a difficult two years with little access to their university facilities from 2020-2021 the CIRL initiative presented a unique opportunity to explore digital manufacturing technologies and build their commercial knowledge. In this article, textiles expert and WhatTheyThink contributor Debbie McKeegan summarizes the results of the initiative.