Drunken Angel: A flower for Kurosawa
In her second installment of her column 'Drunken Angel,' Alice Fang examines her experience of Kurosawa's films through their usage of flowers.
Source: stanforddaily.com
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In her second installment of her column 'Drunken Angel,' Alice Fang examines her experience of Kurosawa's films through their usage of flowers.
The premiere of Rashomon was a watershed moment for Japanese cinema, but what was the appeal of this tale of unreliable narrators set in the far distant past? And how did the peculiarities of its initial screenings affect the way Kurosawa’s masterpiece was interpreted?
When an actor appears in many films of a particular director it becomes a sort of short-hand subject to define either's work. Sometimes it feels as if one