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Synapse delivers the goods with this 'The Living Dead at Manchester Morgue' restoration. Read the full review on Dread Central.

If movies can, in their most ambitious form, take audiences to wild new worlds, it's also true that most viewers prefer not these boldly imagined

A look at under-appreciated horror films from the 1970s, one of the greatest decades for scary films.

Originally divided by an interval, the second act brings only tragedy for Tevye, who faces the loss of his home to tsarist persecution and his two daughters to a new world. Indeed, it is Hodel’s farewell to “Far from the Home I Love” that moved Topol most. “She doesn’t speak, she just sings the song, and he understands every single feeling that she has. And he knows he won’t see her anymore.” As the film’s emotional fulcrum, Topol’s portrayal of the pious milkman has led people to ask about his real persona. “He doesn’t act, but lives the part and you can actually see hi...

hen the film adaptation of Fiddler on the Roof opened, revered critic Roger Ebert gave it three out of four stars and said director Norman Jewison “has made as good a film as can be made from the material”. Ebert, now deceased, thought the storyline was “quite simply boring”, which decried the work of its original author, Sholem Aleichem, and raised doubts about Ebert’s Pulitzer Prize for Criticism.  With global acclaim from all other reviewers, three Oscars, multiple nominations (including Best Actor for Chaim Topol) and a cumulative $83.3 million at the box office, the enduring ...