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“Almost everyone lost someone during the war,” writes Cristina Rivera Garza in The Restless Dead: Necrowriting and Disappropriation.  

Each letter, oiled with the familiar / flinty viridescence of mackerel, apostolic & fluttering down / wiped with the edge of a lungi, the frayed plaid dotting / tea terraces warbling with a green / so wet it rivers my lap, so wet it migrates my throat—from CURB, “Milestone 3 (We Are at Ease in Our Silence)” btwn the the tiny steel frame door a small concrete portal / & a stowaway—from Unnatural Bird Migrator, “Third Space”

We Walked in Clouds is a YA graphic novel written by Deborah Noyes and M Duffy, an interpretation of the 1692 Salem witch trials based on primary source

This Halloween, to recognise the disappearance of the male half of the species from YA horror fiction this article brings together a selection of my favourite boys from all of the teen horror and dark fiction I have featured in the Young Blood of Ginger N

Translation as a Collaborative Mode: An Interview with Sarah Booker Sarah Booker I met Sarah Booker virtually in 2018 when she spoke with a graduate student reading group about translating Cristina Rivera Garza's  The Iliac Crest. During her virtual visit, Booker was gracious enough to talk with us about her translation process, and I have kept an eye on her work ever since. In this interview, conducted over email, Booker tells WWB about what drew her to translation work, her praxis, and her vision for translation in public life.  Alex Aguayo (AA): Good morning, Sarah. To begin, could ...