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As South Florida's museums present their highly anticipated offerings for Art Basel Season, the a href= https://bocamuseum.org/art/smoke-mirrors-magi

The title of David Mamet’s memoir is: Everywhere an Oink Oink: An Embittered, Dyspeptic, and Accurate Report of Forty Years in Hollywood.

Christopher Nolan's The Prestige ranks as his most underrated movie, but it's a minor masterpiece. We dig into the making of this classic.

The curator, writer, and teacher’s memoir winds its way through his four-decade career, arriving, geographically and conceptually, back where he started.

Almost all of David Mamet's movies involve some kind of con game. Sometimes it is a literal con, as in "House of Games," where a character is deliberately deceived by fraudsters. Sometimes it is an inadvertent con, as in "Things Change," where an old shoeshine man is mistaken for the head of the Chicago mob. Sometimes it is a double con, as in "Glengarry Glen Ross," where real estate salesmen con customers while they are themselves being conned by the company they work for.