'American Fiction' Isn't as Smart as It Thinks It Is
The heavy-handed satire about the expectations placed upon Black creators is best suited for the exact white liberals it lightly mocks.
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The heavy-handed satire about the expectations placed upon Black creators is best suited for the exact white liberals it lightly mocks.
American Fiction, which opens in Canadian theatres Dec. 22, is meant to be a comedy, even if it’s grappling with a difficult reality for the Black community
Inside first-time writer-director Cord Jefferson's 'American Fiction,' the starry, satirical festival darling that's generating serious awards buzz.
Harry Lennix (The Blacklist, The DC Universe) and Tamara Tunie (Law & Order: SVU, I Wanna Dance with Somebody) will join the cast of its world premiere of Steppenwolf Theatre Company's Purpose.
Director Cord Jefferson breaks down “American Fiction,” his blistering satire about race and success—“third-rail issues,” he says, that “people feel uncomfortable talking about.”