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In his latest book, framed by the lost story of his vanished grandfather, Pearson explores literature, identity, home.

In his latest book, framed by the lost story of his vanished grandfather, Pearson explores literature, identity, home.

“I don’t really know why I write criticism,” says Lauren Oyler, prominent literary critic, in this essay collection. Still she continues, correcting cultural wrongs for uncertain rewards: “It’s probably a bit too much about an illusion of justice for me, really.” A serious book with an unserious title, No Judgement explores, with acuity and wit, the question of what criticism can and should be in our times.

There’s a game you can play when reading book reviews, guessing what the critic really means. ‘Disturbing’ means ‘worried for the author’s mental health’. ‘Luminous’ means the reviewer has run out of synonyms for ‘good’. ‘Glorious’ means ‘fun’, but fun in a tasteful and unchallenging way. Aside from being clichés, these phrases function as a literary code; they usher books to their target readers, a siren audible only to those conditioned to hear it.

In ‘The Disconnect’, the Irish journalist and writer Roisin Kiberd dissects the drift of relationships, work and personal identity in the internet age