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Feel-good has become a reductive term today: Filmmaker Akhil Sathyan

Filmmaker Akhil Sathyan gets candid about his debut feature, Pachuvum Athbutha Vilakkum, working with Fahadh Faasil, lessons from his father Sathyan Anthikad, and more...

Kerala , India , Mumbai , Maharashtra , Thondimuthalum-driksakshiyum , Pachuvum-athbutha-vilakkum-akhil , Mani-ratnam , Althaf-salim , Varane-avashyamundu , Pachuvum-athbutha-vilakkum , Njan-prakashan , Sharan-velayudhan

'Pachuvum Athbutha Vilakkum' review: Laidback entertainer with enough laughs, romance

Pachuvum Athbutha Vilakkum is structured like a lighthearted novel, with characters expressing believable emotions and concerns. Is the template original? Not quite. But I’m not complaining.

Mumbai , Maharashtra , India , Sajin-shrijith , Pachuvum-athbutha-vilakkum , Althaf-salim , Laila-viji-venkatesh , Varane-avashyamundu , Akhil-sathyan , Sathyan-anthikad , Pachuvuam-athbutha-vilakkum , Anoop-sathyan

'Neelavelicham' review: A competently made, visually inventive reimagining

Aashiq Abu and cinematographer Girish Gangadharan manage to get the best out of the scenarios spawned by Basheer’s imagination on an anamorphic canvas

Hollywood , California , United-states , Vaikom-muhammad-basheer , Sasi-kumar , Aashiq-abu , Aaraam-thampuran , Tovino-thomas , Sasi-kumar-roshan-mathew , Sajin-shrijith , Bhargavi-nilayalam , Bhargavi-nilayam

Back in the mainstream- The New Indian Express

Actor Nithin George, last seen in Luca, Paka and Prappeda, talks about his latest, Nalla Nilavulla Rathri, a thriller starring Chemban Vinod Jose, Baburaj, and Binu Pappu, among others.

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'Madanolsavam' movie review: Witty political satire with a short-lasting impact

Ratheesh Balakrishnan Poduval’s trademark humour strongly makes its presence known in several places, even though the film’s overall impact doesn’t match up to that of his directorial work

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'Corona Papers' review: Slightly improved, but flawed remake

Despite Priyadarshan’s interesting modifications to the original story, the film’s failure to make one emotionally invested and its inability to find a fittingly logical resolution.

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'Class difference has taken over film appreciation too': Filmmaker Krishand- The New Indian Express

He speaks on making waves again with Purusha Pretham, breaking conventional cinematography rules, and introducing audiences to the cinema with richer, sharper aesthetics

India , Hollywood , California , United-states , Mumbai , Maharashtra , John-wick , Wes-anderson , Prashanth-alexander , Sajin-shrijith , Roy-anderson , Sebastien-prashanth-alexander