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Inside 'Blacklist: The Hollywood Red Scare' at the Skirball Cultural Center – Pasadena Star News

Inside 'Blacklist: The Hollywood Red Scare' at the Skirball Cultural Center – Pasadena Star News
pasadenastarnews.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from pasadenastarnews.com Daily Mail and Mail on Sunday newspapers.

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Inside 'Blacklist: The Hollywood Red Scare' at the Skirball Cultural Center – Redlands Daily Facts

Inside 'Blacklist: The Hollywood Red Scare' at the Skirball Cultural Center – Redlands Daily Facts
redlandsdailyfacts.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from redlandsdailyfacts.com Daily Mail and Mail on Sunday newspapers.

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To boldly explore the Jewish roots of 'Star Trek'

Adam Nimoy gazed across a museum gallery filled with “Star Trek” stage sets, starship replicas, space aliens, fading costumes and props (thi ....

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To Boldly Explore the Jewish Roots of 'Star Trek'

An exhibition at a Jewish cultural center has plenty of artifacts to delight Trekkies but it also notes the Jewish origins of the Vulcan salute. ....

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Essential Arts: How Paul Pescador uses cartoons to explore intimate and civic spaces

Print
The weekend is young, and I’m feeling partial to patty melts and Bloody Marys (with gobs of horseradish,
por please). I’m
Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, with the week’s essential culture news and chihuahua imitators.
Our cartoon avatars
The
cartoon is endlessly malleable, able to serve as a staple of children’s programming even as it questions gender norms (e.g. Bugs Bunny) or functions as a proponent of U.S. foreign policy (may I introduce you to U.S. soft power ambassador Donald Duck?).
Artist
Paul Pescador is interested in cartoons for those reasons but for many others, too: their saturated color, their emotionality cartoons are pure melodrama and their ability to render bodies in inventive ways. “There is no more abstract version of the body than the cartoon,” says Pescador. “You shift a pencil line and you make something more curved, and you make it more feminine. It ....

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