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“I think she’d find it fascinating,” says the novelist, whose latest book is “The Librarianist.”

CAN AN ARTIST HIT THE JUGULAR while they’re reaching for the wallet at the same time? Only if the wallet and the jugular are the same thing. In the cultural devolution of “audience” to “eyeballs,” perhaps no genre has so loudly insisted on its robust resistance to power as comedy—and perhaps no genre’s complicity has, since 2017, been made more transparent. (Let the rise of Joe Rogan be citation enough here.) To borrow a one-liner from Morgan Bassichis’s brilliant solo performance Questions to Ask Beforehand (Bridget Donahue), “What stage of capitalism is it called when every...

In the new issue of Worms Magazine, legendary New Narrative writer Dodie Bellamy talks about the art of the impure, ‘literature barf’ and what it means to be female and feral