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The gallery presentation format brings sales—and more—amid broader market tightness

Raffy T. Napay has been stitching threads in a variety of colors and patterns for over a decade now. He used to work in oil paints but a serious allergy led him to switch to thread and scrap cloth, materials plentiful around him. Later in 2010, when working on a piece for an art competition, he asked his mother, a seamstress, to teach him how to sew.

A whirlwind of color, color, and more color hits you in Pacita Abad’s Love is Like a Heatwave, a recent exhibition at Silverlens Galleries, celebrating the 20th anniversary of Circles in My Mind (Oct. 2003-Jan. 2004, CCP), Abad’s final exhibition before her death in December 2004.

Ryan Villamael, 36, the foremost Filipino artist working on paper as sculptural medium, presents mostly paper installations in a solo exhibition, Return, My Gracious Hour at the Silverlens Galleries until February 3, 2024.

Patterns, colors, and textures form an organic triumvirate of sculptural clayworks in A Light in Everything, Tessy Pettyjohn’s exhibition at Silverlens Galleries. It runs until 03 February 2024.