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Pentagram Partner Luke Hayman takes us into the process behind their sharp new look for one of America's oldest operational daily newspapers.
Emerging bleary-eyed from its centenary bacchanal of 1996,1 the AR sobered up and saddled up towards the millennium. Yet the ground was shifting
Designers, printers, editors and brands presented their projects made with Fedrigoni specialty papers and self-adhesive materials: high-quality objects that were judged on the basis of the graphic project, functionality, quality of technical execution and appropriate use of the materials, with special attention on the environmental impact. There were five prize categories: the
Highlights of this year’s competition include a new Large Format Communication category, evaluation criteria linked to sustainability, increased exposure for the best projects and a renewed focus on the final event: two days of in-depth analysis and talks with international jurors, laboratories, workshops and interviews with the winners that will coincide with the inauguration
Interview by John L. Walters The title page credit for Munich ’72: The Visual Output of Otl Aicher’s Dept XI reads ‘Researched…