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Take Me to The Opera

like the character he is singing about, coutu travels the world. —— bryn travels around the world. he is used all the dazzle of opera houses and the bright lights of the stage but he prefers to live in the quiet of the welsh countryside. bryn grew up in rural north wales where his father was a farmer and his mother a special needs teacher used music therapy in her work. so it was a musical household. my so it was a musical household. my grandfather, my great—grandfather, they all had the love of singing. and yes, my parents, great voices that are most probably guided towards being a part of

Bryn-terfel , World , Character , Coutu , Isn-t-stage , All-around-the-world , Bright-lights , Dazzle-of-opera-houses , North-wales , Work , Special-needs-teacher , Household

Take Me to The Opera

was here in cardiff that he first performed one of his most iconic roles, that of falstaff, the opera by birdie based on the opera by birdie based on the shakespearean comic character.— the shakespearean comic character. ., , ., character. you can see that he wore a fat _ character. you can see that he wore a fat suit _ character. you can see that he wore a fat suit underneath. i character. you can see that he l wore a fat suit underneath. oh, cosh, wore a fat suit underneath. oh, gosh. can _ wore a fat suit underneath. oh, gosh. can i _ wore a fat suit underneath. oh, gosh, can i touch _ wore a fat suit underneath. oh, gosh, can i touch it? _ wore a fat suit underneath. oh, gosh, can i touch it? yeah, i wore a fat suit underneath. oh, gosh, can i touch it? yeah, it i gosh, can i touch it? yeah, it is padded _ gosh, can i touch it? yeah, it is padded by _ gosh, can i touch it? yeah, it is padded by wadding - gosh, can i touch it? yeah, it is padded by wadding and i gosh, can i touch it? yeah, it is padded by wadding and he| gosh, can i touch it? yeah, it i is padded by wadding and he has netting and to create all the leg and to build him up as a bigger man as he already is. that looks terrifically hot and you are under all of those lights and singing.- you are under all of those lights and singing. you had to at his lights and singing. you had to pat his brow _ lights and singing. you had to pat his brow down _ lights and singing. you had to pat his brow down and - lights and singing. you had to pat his brow down and make | lights and singing. you had to i pat his brow down and make sure all was well while we did the change. five minutes with all the people helping him as we go. like a pit stop, everybody did their task and got him all dressed up to get back on stage. i dressed up to get back on state. . , dressed up to get back on state. ., , ., , stage. i mean, it is all very convincing. _ stage. i mean, it is all very convincing, isn't _ stage. i mean, it is all very convincing, isn't it? - stage. i mean, it is all very convincing, isn't it? gosh, | stage. i mean, it is all very| convincing, isn't it? gosh, i should close this up and protect his modesty! laughter.

One , Roles , Comic-character- , In-cardiff , Shakespearean , Opera-by-birdie , Falstaff , Character , Fat-suit-underneath , It , Gosh , Wadding

Take Me to The Opera

instead fits across the country encourage life of singing from a young age. among bryn's many initiatives is a scholarship to develop some of the most promising young performers who come up through these competitions. is something that was an important of bryn's own success. �* , . success. any given village in wales can — success. any given village in wales can have _ success. any given village in wales can have an _ success. any given village in | wales can have an eisteddfod every weekend. so my poor parents paid a lot of petrol to drive me north, south, east and west, to compete. but they knew they saw something in their son, in their child. they saw the passion that i had. that drove me. the stepford is that wonderful shop window. —— of the eisteddfod.

Bryn-terfel , Singing- , Life-live-a-musical , Performers , Some , Scholarship , Initiatives , Age , Country , North-wales , Something , Success

Take Me to The Opera

towering presence and booming voice is also effective offstage. he is a big champion offstage. he is a big champion of the arts and relishes bringing music the public. i think we are in a time when lots of cultural institutions and classical music itself, perhaps, is being called into question. what is the value of it? is a elitist? and a figure like bryn is what we need, somebody who symbolises the power of communication music, showing how important music is in all of our lives. the embodies that and that is the most powerful advocacy he could the music. everything he does conveys that love of singing and it is completely infectious. the fact that he is passing that on two young singers makes total sense to me because it is an absolutely compelling vision of how to live a musical life. share

The-voice , Music , Presence , Champion , Institutions , Arts , Lots , The-public , Bryn-terfel , It , Somebody , Classical-music

Take Me to The Opera

work— who is world famous for his work in _ who is world famous for his work in mozart and after a minute _ work in mozart and after a minute of his singing, charles wenl— minute of his singing, charles went over— minute of his singing, charles went over to me and said i don't — went over to me and said i don't think we're going to have any problems with this. he said. any problems with this. he said- and _ any problems with this. he: said. and the rest is history, really. said. and the rest is history, reall . ., , ., �* , really. though, before bryn made it onto _ really. though, before bryn made it onto the _ really. though, before bryn made it onto the stage i really. though, before bryn made it onto the stage for. really. though, before bryn i made it onto the stage for the w and oh, he was thrown out. just before he did his first professional engagement with us in cose fan tutti. i didn't know who he was, all of our rehearsals is closed and nobody was in the company at the time was in the company at the time was allowed so i politely asked him to leave. it has caused a few giggles subsequently however. he has got such wonderful humanity and humility, i go back to that all the time. they were his calling hut —— they are his calling cards, if you like, in his persona. it cards, if you like, in his persona-— cards, if you like, in his ersona. ., , . , persona. it was the welsh national _ persona. it was the welsh national opera _ persona. it was the welsh national opera that i persona. it was the welsh i national opera that launched bryn's career and catapulted him onto the world stage. it

Singing- , World , Work , Rest , Problems , Work-in , Prince-charles , Charles-wenl , Isn-t-stage , Bryn-terfel , Us , History

Take Me to the Opera-20210807-08:49:00

benjamin '5 fan base is growing and he keeps in touch with them through videos posted online. when he is not singing, benjamin enjoys a somewhat less delicate art of boxing. it enjoys a somewhat less delicate art of boxina. , ., ,., ., enjoys a somewhat less delicate art of boxina. , ., ., ., ., enjoys a somewhat less delicate art of boxin.. , ., ., ., ., ., of boxing. it is a solo game, a solo sort. of boxing. it is a solo game, a solo sport- you — of boxing. it is a solo game, a solo sport- you are _ of boxing. it is a solo game, a solo sport. you are alone _ of boxing. it is a solo game, a solo sport. you are alone with - of boxing. it is a solo game, a solo sport. you are alone with your i sport. you are alone with your gloves, — sport. you are alone with your gloves, and you are alone working on your body, _ gloves, and you are alone working on your body, on— gloves, and you are alone working on your body, on hitting the bag. this is extremely important for me, to find a _ is extremely important for me, to find a sport— is extremely important for me, to find a sport that goes also very well with— find a sport that goes also very well with my singing. so find a sport that goes also very well with my singing.— find a sport that goes also very well with my singing. so do you brina that well with my singing. so do you bring that competitive - well with my singing. so do you bring that competitive spirit i well with my singing. so do you bring that competitive spirit to l bring that competitive spirit to your singing on stage? i bring that competitive spirit to your singing on stage? i would say that we are _ your singing on stage? i would say that we are all _ your singing on stage? i would say that we are all in _ your singing on stage? i would say that we are all in competition i your singing on stage? i would say that we are all in competition in i that we are all in competition in the end — that we are all in competition in the end because we all want to be loved _ the end because we all want to be loved by— the end because we all want to be loved by the audience. we want, in a

Benjamin , Fan-base , Videos , Touch , 5 , Art , Solo-sport , Sport , Boxing , Gloves , Body , Art-of-boxina